In collaboration with two regional bodies such as the ERT teatroescuola LARE and the Regional Laboratory of environmental education we are writing a second edition of Teatrambiente laboratory, to understand how sustainability issues matches to those in the theater to understand how the thirst for stories of the theater can be met by the feeling of helplessness that seems to win every time speaking world, environment, ecology, technology.
In meetings with experts in Udine theater at school I met Marco Geronimi Stoll and his theory of minimum technology and high technology that I hope will be very useful to unravel the tangle, see www.geronimi.it, skills for the theatrical 'childhood.
Last year we concluded the workshop and it was really interesting to see how my uncertainty is magnified in contact with too big issues such as world, sustainability, daily living. E 'possible to think that only fools can be certain about it.
Sustainability, environment, future. You always think that the possibility of the individual is nothing respect, the feeling of powerlessness is all-encompassing, for example, if the teachers are differentiated at the school then comes a caretaker who throws everything indifferentiation (true story).
But if you run behind the giant is lost, it is certain, because the race is his. But if you decide not to run that race, that's what is not suspected, and the thinking changes. The proposed fund could be summed up thus: if there was more drama, there would be less wasteful?
And the real big question is "if there was more happiness, there would be less wasteful?"
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